The YTS-23 tenor sax costs about $2200 new and about $500 used. 1972 12729030 1973 12731254 1974 12745400 1975 12753382 1976 12764553 1977 12775790 1978 12781317 1979 12791801 1980 00102143 1981 00106981 1982 00111892 1983 00117142 1984 00122663 1985 00128485Best for those just starting out, this YAS-23 Yamaha student saxophone typically runs about $1,300 new or $500 used. During the 1970s, the 3rd and 4th digit of the serial number indicate the year of manufacture.The quality that makes this one of our most recommended student alto saxophones is the intonation. The YAS23 alto saxophone features a gold lacquer body, with very durable key work. The Yamaha YAS-23 alto saxophone is an excellent choice for the student or beginning band member.With polished brass keys that give the horn the look of a pro model, It features a high F and is further enhanced with a new, more stable neck receiver. The 280 is an upgrade of Yamahas 275 student alto. In addition to directorial ventures from Yash and Aditya, the company launched several new directors.Yamaha had set the standard with the YAS-23 and has now surpassed itself. 62 seriesIn the 2000s, YRF produced a larger number of films. YAS-475 costs around $1,800 new and in the $1,300 range used, while the YTS-475 costs about $2,300 new. Designed for intermediate players, the 475 series’ sound is richer with more body than the 23 series, making these saxes an excellent buy for Yamaha sax players who want to show off their growing skills.The sound isn’t quite as oriented toward jazz as the 82Z, but depending on your skill, you can use it for many more genres of music, from the dark sounds in classical orchestra to the bolder rock tones. 875EX seriesPerhaps the most versatile custom Yamaha saxophones, the 875EX series is best for skilled musicians who like to play many different genres. It has the smoothness of the 62 series with a fatter, full-bodied tone, it’s the perfect Yamaha saxophone for filling a room.
Yas 23 S Serial Number IndicateYSS-675Good for high-level intermediate players and extending well into the professional realm, the YSS-675 is renowned for its comfort and clear, resonant tone. A new model will cost on average $1,500, while used models are generally hard to come by. Its one-piece design may come as a surprise to some, but its bright, even tone is all trademark Yamaha. Soprano Saxophones YSS-475IIThe budget-level soprano sax, the YSS-475II is perfect for the beginner to intermediate player looking to break into a new instrument. All in AllWhile it lacks the legacy of the great vintage horns, as far as new horns that you can easily pick up today, Yamaha makes quite simply some of the best saxophones you can buy – particularly if you’re at the student level. New models typically cost about $200 or so more than the YSS-675, but are generally in the same price range. Due to the high-end materials used on this horn, the instrument is bit heavier than its less expensive counterparts. YSS-875EXFor a gutsier, fuller sound that’ll add an extra oomph to your soprano sax playing, the YSS-875EX is a great choice. So I turned it in for the latest Yamaha.The Yamaha 875 Custom that they gave me had a very bright sound, to bright. Needless to say the horn played rough down low. Unfortunately even though it still had a really nice sound and played in tune well the repair tech at Fleet Support said she would never be able to get it to seal perfectly. It had been relacquered at least 3 times which included buffing the heck out of it. I had turned in a MK VI Navy tenor that was on it’s last legs. The reason I didn’t use a Selmer Series 2 in big band/combos is because I was so used to my Mk VI and I was very picky about playing tenors. At the time they only bought the altos. Then I switched to bari and played a Selmer Series 2 they had.The reason I didn’t pay a Keilwerth tenor is because they did not have one to issue me. Really sad story but it’s true. That in effect ruined all those beautiful sounding Mk VI saxes. So all those Mk VI’s were buffed down & relacquered several times. I was told by 1 of the repair techs that an Admiral had told the Music Program that he wanted to see shiny horns. However because of the elements we perform in they were getting very weather beaten. The Series 2 just didn’t have the sound of a Mk VI.FYI – at 1 time the Navy had a lot of Mk VI saxes. But it was several thousand dollars cheaper than the Keilwerth. I got the Cannonball because it played similar to my VI and to a Keilwerth SX90R. I use this horn as a backup for my Mk VI. The pro model w/the big bell and the fancy stones on the keys. Last year I bought a Cannonball Nickel plated Black lacquer horn. Now that was a great horn. When I played on any Navy gig I used the Navy Buffet Greenline. I used the Yamaha tenor when I played Ceremoniaclarinetl Band gigs which were usually outside. Besides combo gigs were usually inside at a reception or under a tent. Man I could tell you stories but another time). I tried them at the Sax Symposium at GMU near Wash DC for 2 yrs in a row.Navy wise I just used their horns for big band (alto & bari) my horn for Jazz Combo (I was the leader so I had a say in controlling the environment we played in. They are trying to convince the Navy Music Program to buy more of their instruments. They also will buy you the reeds you need for 3 months at a clip.In a another post I will tell you about our experience w/the Yamaha product rep who lent us a bunch of horns for 2 weeks and how the band sounded when everyone played their loaner Yamaha horn on a gig.Okay so the Yamaha Product Rep/Sales Rep comes to our Navy Band around ’04 in the summer. So if they want to have big bands, show bands, rock bands w/horns and someone has to play bari they provide it. Hardly anyone walks in owning a bari, bass clar etc. As such it was important that I keep the building nice and cool in the summer time. My secondary duty (which usually felt like my primary duty) was Building Manager. I was given their latest clarinet, I do not remember the model number.At this point you need some background information. Everyone got 1 instrument to try out. The boss (our Band Officer) says to give them a blow during rehearsals and on gigs. Hard drive for mac and pcSo if this horn is sharp in a cool building imagine how sharp it will be when we are doing gigs outside in the summer heat and humidity.So as an experiment I pull out my Navy issue Buffet Green Line clarinet, warmed up on it for a few minutes and played it into my tuner. The clarinet was 10 cents sharp. After playing it for several minutes I put it on my trusty tuner. Remember the building is cool. I took the clarinet in my office and started playing it. Indeed sometimes it even felt like Stockholm, Sweden in October.Well at this point the building was at 72 degrees. I warm up again on the Yamaha and then play it into the tuner. It gives me room to play with.Okay so now I take the Green Line barrel and put it on the Yamaha clarinet. Now this is good because when we play outside the whole band is going to go sharp. The whole band was extremely sharp, the pitch was all over the place. Well I must tell you that was the absolute worst gig the band ever played. The Yamaha barrel looked to be the same size as the Buffet barrel when I lined them up next to each other on my flat desk surface.So with that experiment over I go back to playing my Buffet except for the 1 gig we did outside when the boss asked everybody to play the Yamaha horns. All the other notes seem to line up better too. But I said now watch what happens when I play it. I said the horn really projects. I told him I liked the sound of the horn and the concept of the notch in the bell. My building is still a cool 72 degrees. It looked kind of like the inside of a Berg Larsen mpc.So after 2 weeks the Yamaha Rep comes back and I get a chance to meet with him. Also the bell had a notch cut out inside it that made the sound really project and spin. Sure enough the clarinet was 10 cents sharp.
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